When Sebastian Schipper chose to make the film Victoria in 2015 it was either going to be a recipe for a brilliant triumph or complete disaster. The […]
This article contains spoilers. Tomcat centers around one sharp moment of horror. A single lightning bolt out of nowhere that leaves you breathless. Tomcat is […]
Taiwanese filmmaker Tsai Ming-liang wrote and directed Stray Dogs in 2017. Seeing it is not like seeing other films. There are two meanings to the word see. […]
I’ve never seen a film as jam packed with cinematic acrobatics as Let The Corpses Tan. Its a hyper-stylized, over the top, morass of filmmaking. Its […]
“I can’t believe you committed suicide, I can not believe you committed suicide. How could you have done this? How could you have committed suicide?” […]
The most salient feature of Lucrecia Martel’s 2004 film, The Headless Woman, is the insightful and meticulous observations she finds in mundane moments. The way droplets of […]
It could not have been easy to make a two hour, narrative film that is completely unintelligible. You’d think they might stumble across some continuity […]
“The thought of suicide is a great consolation: by means of it one gets through many a dark night.” (Friedrich Nietzsche) Jens Lien’s 2006 film The […]
Currently, western culture embraces the tenets of multiculturalism. There is a desire to recognize all cultures and ideologies as worthy of respect and to see […]
The core of Emad Burnat’s documentary, 5 Broken Cameras, is deeply personal. Politics and social strife surround it, but Emad’s patient, gentle and insightful presence […]
Tokyo! Is an anthology film. It contains three movies by three different filmmakers. The first is called Interior Design by Michael Gondry, the second is Merde […]
Much of what makes a Todd Solondz movie compelling is its ability to strike a razor-thin balance between sincerity and satire, between tragedy and absurdity. […]
Kitty Green made Casting JonBenet in 2017. It’s a documentary about documentaries. Using a variety of ingenious filmic devices Green repeatedly arranges and rearranges fact and fiction revealing […]
Peter Strickland’s In Fabricis visually stunning. It borrows heavily from the Italian Giallo aesthetic. The colors are super-saturated and garish like Dario Argento’s Suspiria or […]
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