Generic selectors
Exact matches only
Search in title
Search in content
Post Type Selectors
Generic selectors
Exact matches only
Search in title
Search in content
Post Type Selectors

Archives

Categories

Categories
  • All
  • Films Made Before 2000 (308)
  • So Bad They're Good (166)
  • Art House (143)
  • Drama (138)
  • Films Made After 2000 (116)
  • Horror (105)
  • Science Fiction (91)
  • Sexploitation (66)
  • Essays (61)
  • Japanes Movies (52)
October 29, 2021

A Far Too Brief Essay About Sátántangó

Béla Tarr’s film Sátántangó is formidable. Not simply because it is 7.5 hours long, but because any exposure to Bela Tarr’s world view is a rough ride. […]
Read More
October 29, 2021

The Headless Woman

The most salient feature of Lucrecia Martel’s 2004 film, The Headless Woman, is the insightful and meticulous observations she finds in mundane moments. The way droplets of […]
Read More
October 28, 2021

Reconciling The Wayward Cloud

​A young man climbs on to the roof of a high-rise and carefully sneaks into a water tower. He soaps up and lazily floats in the […]
Read More
October 27, 2021

Favorite Scenes №13: Nostalgia

Andre Tarkovsky made his film Nostalgia in 1983. It is a breathtaking two hours and ten minutes of heart-aching humanism. Nestled in the middle of the movie […]
Read More
October 26, 2021

The Frog by Segundo de Chomón

The surrealists recognized that not all surrealist art needed to be made by a surrealist. As a group, they laid claim to many artworks and […]
Read More
October 26, 2021

The Bothersome Man: Bloody Hilarious

“The thought of suicide is a great consolation: by means of it one gets through many a dark night.” (Friedrich Nietzsche) Jens Lien’s 2006 film The […]
Read More
October 25, 2021

Do You See What I See: Interpreting 8 ½

In reading about Fellini’s 8 ½ I was surprised by the number of critics and reviewers who focused on the film as a depiction of what it is […]
Read More
October 24, 2021

Kiarostami’s Where Is The Friend’s House?

​Jean-Luc Godard famously bragged “All I need to make a movie is a girl and a gun” but he was a pretentious asshole. All Abbas […]
Read More
October 23, 2021

Gorod Zero: Hidden Soviet Era Gem

Michael Palin enters a banal, bureaucratic looking office where sits John Cleese behind a desk.Palin: Is this the right room for an argument?Cleese: I’ve told […]
Read More
October 23, 2021

Favorite Scenes №9: Ran

​In 1985 Akira Kurosawa finished his grand-scale opus, Ran. The film is his interpretation of Shakespeare’s King Lear. It is full of spectacular imagery, ornate […]
Read More
October 22, 2021

György Pálfi’s Hukkle

The world of cinema is most often constructed out of three shots: the wide shot, the medium shot, and the close-up. It’s a relative analog to […]
Read More
October 22, 2021

György Pálfi’s Taxidermia

After you recover from the shock of the opening scene you realize you will need to recalibrate your surrealism scale if you are going to […]
Read More
October 21, 2021

A Little About Andy Warhol’s Films

“His genius was in his way of looking at things, at singling out common objects for extraordinary examination. But the idea of looking at a […]
Read More
October 21, 2021

Situationist International and Thermroc

In May of 1968, France came to a standstill. The economy ceased to function the president fled the country and a huge percentage of the […]
Read More
October 19, 2021

Bong Joon Ho, Michael Gondry, and Leos Carax, in Tokyo!

Tokyo! Is an anthology film. It contains three movies by three different filmmakers. The first is called Interior Design by Michael Gondry, the second is Merde […]
Read More
October 19, 2021

Favorite Scenes №5: The White Ribbon

​Austrian filmmaker, Michael Haneke, made The White Ribbon In 2009. It was his contribution to an age-old discussion, a paradox caused by our mortality. The fact that […]
Read More
October 17, 2021

Todd Solondz’s Sequel to Happiness, Life During War Time

Much of what makes a Todd Solondz movie compelling is its ability to strike a razor-thin balance between sincerity and satire, between tragedy and absurdity. […]
Read More
October 17, 2021

Peter Strickland’s In Fabric Beckons

Peter Strickland’s In Fabricis visually stunning. It borrows heavily from the Italian Giallo aesthetic. The colors are super-saturated and garish like Dario Argento’s Suspiria or […]
Read More
October 16, 2021

Favorite Scenes №2: Rashomon

Akira Kurosawa made Rashomon in 1950. The world of Rashomon is a tense chess game played by three characters. The game is less about strategy and more […]
Read More
October 16, 2021

Ulrike Ottinger’s Freak Orlando: A Very Queer Journey

How about a mix of Peter Greenaway, Pier Pasolini, Kenneth Anger, and Pierre at Gille? Maybe add a little Alejandro Jodorowsky and a Joel Peter […]
Read More
October 15, 2021

The Black Cat And The Queer String Of Films It Inspired.

On the face of it, Edgar Allen Poe’s 1885 story The Black Cat does not appear to have any connection to LGBTQA+ issues. What is known about […]
Read More
October 15, 2021

Beauty and Tragedy in Kantemir Balagov’s Beanpole

Beanpole is a visually beautiful film. It is full of saturated color and warm light, but from the first seen to the last, it presents one […]
Read More
October 14, 2021

Favorite Scenes №1: Nosferatu

In 1922 Friedrich Wilhelm Murnau filmed the climactic end to his film Nosferatu. Our heroine, Ellen, sits cowering in her bed as the vampire enters her […]
Read More
October 13, 2021

The Zoological Existentialism of Domestic

If you look up the credits for Adrian Sitaru’s film Domestic in The Internet Movie Data Base the seven leading actors and actresses are listed first, followed by the […]
Read More
Copyright © 2024 All Rights Reserved
chevron-down