In Between Dying was written and directed by Hilal Baydarov in 2020. It was filmed primarily in Baydarov ’s home country of Azerbaijan which sits […]
In 2017 Yorgos Lanthimos released his remarkable film, The Killing of a Sacred Deer. Everything about its look and feel is unusual. The pacing, the compositions, […]
Between the films Onibaba, directed by Kaneto Shindo in 1964, and Woman In the Dunes, directed by Hiroshi Teshigahara also in 1964 there are only five characters and two locations. […]
Alfred Hitchcock's Rear Window and Roman Polanski's The Tenant are both films about observing and being observed. Rear Window was released in 1954 and The Tenant was released two decades later in 1976. […]
Jean-Pierre Jeunet and Marc Caro made Delicatessen in 1991. It’s an odd film composed of comical interlocking vignettes each contained in a different little corner […]
In 2009 director Mohammad Rasoulof was imprisoned for making The White Meadows. He was accused of “acting against national security” and “propaganda against the regime” […]
In 1971 with a budget just under $100,000 Alan Arkin and Jules Feiffer crafted an absurd masterwork of vicious intensity. Little Murders is less a narrative film […]
George Bernard Shaw said of Richard Wagner “He’s better than he sounds.” This could be said about both Jean Luc-Godard and Charlie Parker. Both men […]
Robert Altman’s 1972 film Images enhances the idea of the subjective camera by compounding it. He creates an unstable space where not only the character’s perceptions are […]
In writing about Pedro Costa’s film Horse Money there is no place to start. The film defies description or analysis. You have to just open yourself to […]
The Body Remembers When The World Broke Open blends form and function to create a compelling narrative whole. Its proof positive that the rules of filmmaking […]
The Platform is a metaphor in the tradition of Animal Farm or Lord of The Flies. It very clearly focuses on capitalist ideology and has a secondary biblical theme […]
Hagazussa, directed by Lukas Feigefeld in 2017, immediately distinguishes itself through its formal choices. There is minimal dialogue. The music is mostly just stretches of […]
We The Animals has no literal narrator. There is no disembodied voice leading the audience through the film, but there is a palpable sense of narration. […]
Beginning a film with the funeral of the main character has been done before but in Repentance the morning after the funeral the deceased is found propped […]
When a film depicts actors playing the role of actors it inherently becomes existential. Peeking behind the curtain calls everything into question. Shakespeare makes many […]
David Lynch made Mulholland Drive in 2001. It was the middle film in a Los Angeles trilogy that also included Lost Highway and Inland Empire. The espresso scene […]
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