When Joseph Breen and William Hays, the heads of the Motion Picture Producers and Distributors of America, sat down to read scripts and review films, […]
Fiction and non-fiction films are often separated into mutually exclusive categories, but the boundaries between the two are not so clear. When you see Ryan […]
Peter Robinson’s Asylum is a documentary made in 1972. From the very beginning, everything about the film is problematic and uncomfortable. Even now, just trying […]
Wakanda Forever is now in theaters. It’s the much anticipated sequel to Disney/Marvel’s 2018 blockbuster Black Panther, which grossed 1.3 billion dollars. A film, or […]
Neptune Frost and Black Panther have very different approaches to very similar content. Both films create a utopian refuge where Africans can escape the racism and cruelty of […]
There is something disturbing about the famous footage of The Beatles on the Ed Sullivan Show. The adolescent girls in the audience screaming, crying, and even […]
In 1968 Peter Brook made a documentary about the movement against Britain’s involvement in the Vietnam War. The film has that loose avant-garde style of […]
Without placing blame on the man himself it is unfortunate that Bruce Lee’s stardom often eclipses the many other skilled actors and practitioners of the […]
Frankenhooker, written and directed by Frank Henenlotter, fits easily into the is a 1980’s counter culture horror genre. It shares stylistic and thematic material with films […]
The 1981 film Maniac definitely owes a debt to both Psycho and Taxi Driver. Its a strange set of films to compare but they do have some core commonality. Alienation […]
Hollywood’s idea of feminism is a woman behaving like a man. The approach leaves the stereotypical gender roles unchallenged and then simply gives a female […]
Between the films Onibaba, directed by Kaneto Shindo in 1964, and Woman In the Dunes, directed by Hiroshi Teshigahara also in 1964 there are only five characters and two locations. […]
I Spit on Your Grave (1978), The Last House On The Left (1972) and Ms. 45 (1981) all fit within the grindhouse genre and further within the subgenera of rape […]
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