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August 21, 2022

Daniele Ciprì and Franco Maresco’s Fascinating Film: Toto Who Lived Twice

For a movie that many people might walk out on immediately, Toto Who Lived Twice is beautifully made. Directed by Daniele Ciprì and Franco Maresco in 1998, […]
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August 17, 2022

John Waters’ Multiple Maniacs

“These assorted sluts, fags, dykes, and pimps know no bounds. They have committed acts against God and nature. Acts that by their mere existence would […]
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November 2, 2021

The Implied Narrator in We The Animals

We The Animals has no literal narrator. There is no disembodied voice leading the audience through the film, but there is a palpable sense of narration. […]
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October 31, 2021

She Mob, A Diamond In The Rough, Real Rough Baby!

When you are wading through the filthy muck at the bottom of the cinema barrel, its movies likWhen you are wading through the filthy muck […]
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October 30, 2021

The Role of Conflict in Tomcat

This article contains spoilers. Tomcat centers around one sharp moment of horror. A single lightning bolt out of nowhere that leaves you breathless. Tomcat is […]
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October 25, 2021

Favorite Scenes №11: Moonlight

​Barry Jenkins made Moonlight In 2016. In it, we witness a young man’s struggle to construct a male identity. In the first third of the film, we […]
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October 20, 2021

I Love It From Behind is Not What You Think it is, or Maybe it is.

What did I just watch? I’m not sure if it was art-house or grind-house or what. It was directed by Kôyû Ohara who makes pinku […]
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October 16, 2021

Ulrike Ottinger’s Freak Orlando: A Very Queer Journey

How about a mix of Peter Greenaway, Pier Pasolini, Kenneth Anger, and Pierre at Gille? Maybe add a little Alejandro Jodorowsky and a Joel Peter […]
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October 15, 2021

The Black Cat And The Queer String Of Films It Inspired.

On the face of it, Edgar Allen Poe’s 1885 story The Black Cat does not appear to have any connection to LGBTQA+ issues. What is known about […]
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October 2, 2021

John Waters’ Mondo Trasho

This is a profoundly unappealing film, and I’m guessing that is what John Waters was after. The whole film has a certain “fuck you” quality. […]
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